WOMEN WEDNESDAY: MARY EMERY

Mary Emery was one of Cincinnati's most generous philanthropists during the early 20th Century. A native of New York, Mary came to Cincinnati as a teneager in 1862 and married Thomas Emery four years later. During his working life, Thomas ammased a sizable fortune in manufacturing and real estate, which was left to Mary when he died in 1906. With no direct descendants, Mary spent the last two decades of her life providing financial support to countless charitable organizations, hospitals, museums, churchs, and universities.

Photo courtesy of Cincinnati Museum Center

In 1922, Mary hired a nationally recognized planning firm to design a ideal community on property she had purchaed. Her model town, Mariemont, was designed to provide housing for about 5,000 people from every level of society. Mariemont contained cottages and single-family homes, schools, recreational facilities, and shops as well as a library, theatre, town hall, and church. Although not all of the goals envisioned for the community were realized, urban planners and reformers praised Mariemont as a "national exemplar."

Photo courtesy of Cincinnati Museum Center

Aerial view of Mariemont
Photo courtesy of Cincinnati Museum Center

In 1916, Mary Emery and Anna Sinton Taft each put up $125,000 to purchase the financially troubled Cincinnati Zoo. Once they became owners, the two agreed to cover any deficits for the next five years to further secure the future of the Zoo.

Mary was also a major benefactor of the Cincinnati Art Museum and University of Cincinnati College of Medicine. She funded the construction of Children's Hospital, orphanages, churches, recreational facilities and helped found the Cincinnati Opera.

As her final act of philanthropy, Mary created a $29 million charitable trust to continue her work after death. Her generosity continues to leave a lasting imprint on the city.

To learn more about the influential women of Cincinnati, check out the Daughters of the Queen City exhibit at Cincinnati Museum Center.

WOMEN WEDNESDAY: THE LADIES OF CINCINNATI STREETCAR

In honor of Women's History Month, CincyWhimsy is highlighting some of the fascinating stories about Cincinnati ladies in a series, Women Wednesday. For National Women in Construction Week, we're featuring some of the ladies who are working on the Cincinnati Streetcar project.

Laura Collins (Messer Project Manager), Sarah Perrino (City of Cincinnati Field Engineer),  

Delores Williams (Prus Cement Finisher), and Vercinia Warren (Messer Carpenter)

From design conception and engineering management to the daily construction work taking place along the streets of Over-the-Rhine and Downtown, these four women have been involved in the project every step of the way.

The focus of Women In Construction Week is to highlight construction as a viable career choice for women and to show that females are a visible component of the industry. Women comprise up to 12% of the construction workforce from owners, project managers, engineers, craftspeople, general contractors, subcontractors, administrative personnel, attorneys, insurers and lenders. Local Women In Construction chapters are celebrating the week through community service projects, jobsite tours, membership drives, student activities, hands-on workshops, fundraisers and outreach programs. For more about Women In Construction, visit www.nawic.org

To learn more about the influential women of Cincinnati, check out the Daughters of the Queen City exhibit at Cincinnati Museum Center.

WOMEN WEDNESDAY: PATRICIA CORBETT

In honor of Women's History Month, CincyWhimsy is highlighting some of the fascinating stories about Cincinnati ladies in a series, Women Wednesday. Here's this week's Daughter of the Queen City:

Photo courtesy of Cincinnati Museum Center

Patricia Barry Corbett, New York native, Columbia University graduate and trained singer, married J. Ralph Corbett in 1930 and made Cincinnati her home in 1932. By 1955 the couple had amassed enough funds from his company, Nu Tone, to establish the Corbett Foundation. By the time of Patricia's death in 2008, the Corbetts had donated more than $65 million to the arts, medicine, and education in the Queen City.

The Corbett Foundation funded a multitude of projects that involved music, such as Music Hall renovations, Cincinnati Symphony Orcestra and Opera tours, Riverbend Pavilion, and countless other artistic endeavors. They also established auditoriums at University of Cincinnati's College Conservatory of Music, Northern Kentucky University, and School for the Creative and Performing Arts, becoming one of the key influencers in making Cincinnati the city that sings. In honor of her lifelong commitment to philanthropy, Patricia Corbett's name adorns countless buildings and performance halls across Greater Cincinnati.


To learn more about the influential women of Cincinnati, check out the Daughters of the Queen City exhibit at Cincinnati Museum Center.

WOMEN WEDNESDAY: JENNIE PORTER

Over the next several weeks, CincyWhimsy will be highlighting some of the fascinating stories about Cincinnati ladies in a series, Women Wednesday, in honor of Women's History Month which takes place in March. We're getting a head start in February in combination with Black History Month by beginning with stories of African American women from Cincinnati:

Photo courtesy of Cincinnati Museum Center

Jennie Porter was born in Cincinnati in 1879. Her father was Cincinnati's first African American undertaker and her mother a schoolteacher. Porter graduated from Hughes High School in 1895 and like her mother, she pursued a career in teaching. She ran a private kindergarten for African American children in the West End, then became a teacher at the Douglass School. After trying to find a temporary school for African American children who were displaced by a flood, she discovered that many did not have a school to go to in the first place. Porter helped establish the Harriet Beecher Stowe School in 1914 and became its principal, the first African American woman to serve in the position in the city.

Creating the Stowe School as a strictly African American school placed Porter at the center of a controversy. She believed segregated schools were better for African American children because they would be able to learn and grow in an environment free from the abuse and prejudice found in integrated schools. Porter's opponents believed segregated schools were a hindrance in the fight for equality, and helped strengthen segregation in other parts of life. Despite this, Porter held to her convictions.

Photo courtesy of Cincinnati Museum Center

While at the Stowe School, Porter pursued her college education and gained her bachelor's degree in 1923, her master's in 1925, and later became the first African American woman to earn a Doctorate of Philosophy at the University of Cincinnati. Porter continued her career as a principal until her death in 1936. Though her stance on segregated schools drew much criticism, she nevertheless created one of the most important educational opportunities for African Americans in Cincinnati.


To learn more about the influential women of Cincinnati, check out the Daughters of the Queen City exhibit at Cincinnati Museum Center.

WOMEN WEDNESDAY: THE LINKS, INCORPORATED

Cincinnati Museum Center recently unveiled its latest local exhibit, Daughters of the Queen City, to compliment its main exhibit about the life and artifacts of Princess Diana. The one room gallery was just as impressive as the traveling feature on the Princess. The Daughters collection illustrates a sampling of philanthropic efforts by Cincinnati women from the 1850s-1960s, highlighting both women's organizations as well as 10 well-known leading ladies of the city. Over the next several weeks, CincyWhimsy will be highlighting some of the fascinating stories we learned about Cincinnati ladies in a series, Women Wednesday, in honor of Women's History Month which takes place in March.

We're getting a head start in February in combination with Black History Month by beginning with stories of African American women from Cincinnati:

Photo courtesy of Cincinnati Museum Center

 
Established as the original circle of nine friends in Philadelphia in 1946, The Links, Incorporated is a premiere national women's volunteer service organization committed to enriching, sustaining and ensuring the cultural and economic survival of African Americans and other persons of African ancestry.

Cincinnati women who understood the need to assume civic, cultural and social responsibilities in their community formed the Cincinnati Chapter of The Links, Incorporated on March 30, 1950, becoming the 17th chapter inducted into the Links Chain of Friendship. The chapter established an exemplary record of philanthropy both locally and internationally. In the 1950s, the first Cincinnati Chapter fundraiser provided funding for Camp Joy, the first integrated camp for children in the city. For nearly 45 years, the chapter presented the couture Ebony Fashion Fair with proceeds benefiting the building of the first The Links, Incorporated School in Africa, community service agencies, collegiate scholarships, and the chapter's community programs.

Photo courtesy of Cincinnati Museum Center

Charter members included Vivian Beamon, Johnnie Mae Berry, Reber Cann, Margaret Clarke, Ethel Caliman Deal, Vera Edwards, Camille Hood, Ruth Hubbard, Evelyn Jones, Laura Lovelace, Odessa Simms, and Mary Weatherly. Vivian Beamon served as National President and is credited with developing the concept of The Links Foundation, Incorporated and the adoption of The Arts as a programmatic focus. Margaret Hough was the first National Director of The Arts, followed by Yvonne Robertson.

The Cincinnati Chapter programs have left an indelible and transformational impact upon the greater Cincinnati community.

To learn more about the influential women of Cincinnati, check out the Daughters of the Queen City exhibit at Cincinnati Museum Center.